Archives For Photography

With echos of some of Vilem Kriz’s images as well as Man Ray & Joseph Cornell, Heidi Kirkpatrick constructs mysterious, surreal boxes that transport you into her beautiful interior world.

 “I live with a substantial amount of physical pain and have for many years. In my continual search for an answer, as well as my way of dealing with the unexplained, I dissect my Gray’s Anatomy book. The pages find their way into my work, layered under images of those closest to me. The illustrations bind, clothe and wrap the body. Putting the inside on the outside, I wear my heart on my sleeve”.

via http://www.photolucida.org

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The Surrealist Photo Constructions of Heidi Kirkpatrick

Keith Carter is one of my all time favorite photographers. He has been creating magic with a camera for over 25 years. He understands the power of selective focus like few others and he manages to find extraordinary moments in the most ordinary places. (My Desert and Nature Morte series were directly influenced by his work).

Meet one of the best visual poets to ever walk the planet…

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All images via the artists web site.

The Photographs of Keith Carter

Martin Kollar was invited to Israel to make some pictures. What he came back with is so unique and so uniquely Martin Kollar that you really can’t see the world any other way except through his eyes. This is the mark of all great photographers. Mr. Kollar has a photographic vision that is both absurd, surreal and brutally honest. His book Field Trip is published by Mack Books.

“Some of the places I had the impression that I was on a film set, and I tried to bring this to the images. You don’t really know when the reality and the fiction somehow stops and starts.”

 

via: http://www.martinkollar.com/field-trip

Excellent article about why you should join a Photography Cooperatives or Collective over at NPPA.

 

“The “dizzying” pace of change in the photography industry has pushed many photographers to seek ways to reorient their approaches to business and find firmer financial footing. Some have turned to photography cooperatives or collectives, joining forces with like-minded photographers to market their work, seek out assignments and support each other creatively.

The lone-photojournalist model is harder and harder to sustain. Challenges include increasing costs, decreasing revenue streams from traditional sources, such as magazines, newspapers and stock sales, and the need to call attention to your work in a world that is inundated with images from myriad sources.

The question: How do you meet the promotional, sales and administrative challenges of photojournalism today and still find time to develop project ideas, shoot and process your work?

The cooperative business model is an old one. Individual businesses with similar interests come together to sell their products more efficiently. They join forces in marketing and delivery, often under a single brand. They share in profits based on the participation of each member. The bottom line behind cooperatives is economic safety in numbers”….

via https://nppa.org/page/photography-cooperatives-and-collectives

 

Should You Join a Photography Cooperatives or Collective?

“Yosemite, CA,” 1995 © David Graham
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David Graham understands the language of photography and is not only an artist at combining visual symbols and their connections but is a wonderful and ironic chronicler of all that is America. This is not his deserved retrospective but a unique exhibition where the idea is to pick one image from each year of his amazing output. What we get is a very pared down version that highlights mostly works that deserve a second look.  Always looking for the perfect moment that reminds us of our quintessential quirkiness, David’s pictures have given us plenty of surprises over the years. He is one of Philadelphia’s best and this should be a great show. More images from his exhibition at the 339 Gallery here.
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“…His current exhibition, “Thirty-Five / 35 Pictures,” at the 339 Gallery in Philadelphia features one photograph from each year for the past 35 years. “The challenge for an exhibition that tries to summarize David Graham’s work is the very scope and scale that make it so exceptional. Where to begin? What to include? How to knit together this considerable photographic oeuvre in a coherent manner without resorting to an exhibition comprised of the best-known pictures? ‘Thirty-Five Years / 35 Pictures’ does feature well-known images, but we imposed the one-picture-per-year strategy to both gain control over the work and to force decisions that we might not typically make. And so it has; given that it’s a single picture from each year, many classic pictures had to be let go in favor of others that have received less attention over time. Sad as we were to lose some images, this approach has brought forward several outstanding and under-appreciated ones; it has also yielded interesting new relationships among pictures that have never found themselves near each other (either in exhibitions or books). Ultimately, we’ve tried to at least hint at the depth and breadth of this exceptional chronicle of America…”
Courtesy Gallery 339. “Thirty-Five / 35 Pictures” opens Friday, January 17 with an artist’s reception from 6:00 – 8:00 pm, and runs through March 15, 2014.

via: pdnonline.com

 

Exhibition: David Graham: Thiry-Five Years / 35 Pictures