Archives For Photography

Philip-Lorca diCorcia is one of the greatest photographers of his generation. His series East of Eden was his response to the George Bush era’s wonderful banking crisis, which of course we now call the Great Recession.  ( To date no one has gone to jail for the collapse of the USA and the world economy )

Think about it…

Iolanda, 2011 Courtesy of the artist and David Zwirner Gallery

On East of Eden, a series he started in 2008.

“That was obviously a traumatic year for alot of people,” he said. “I felt I needed to respond to the situation, to what was the culmination of George Bush’s era. So this idea of the Fall, this ejection from Eden, is what inspired the pictures, a sense that everybody’s optimism and fever to have a great life had been completely overturned. And to some degree, as in the Biblical story, it was knowledge that did it.”

“Suddenly people realised that they don’t get everything for free; that you can’t have a mortgage that you don’t have to pay back; that you can’t constantly leverage your life on your credit card. And we’d been led into two wars that were disastrous failures and misguided to begin with. I just took that as a jumping-off point for the imagery.”

via  Jobey, Liz. “The Lost Eden.” Financial Times Magazine. (August 31, 2013): 24-27 [ill.]

 

The Photographs of Philip-Lorca diCorcia

I can’t wait to see this show…

Remember if it were up to the dealers the photography world would be stuck in the 19th century forever. (Too much emphasis on selling antiquities and thus antiquated ideas). Try to remember it is not a lens and shutter that defines a photograph. It is now about the “ideas and concepts” behind the image and any artist should be able to embrace every tool of the trade to bring their vision to light.

There will always be those that “take” a photo and then there are those that “make” one. ( The latter is far more interesting in my opinion and where I live and think; See my new Light Projections and Infinities).

Is a scanner a type of camera? You bet it is. If there is a rule that defines what a photograph is today it is simply that there are no rules – only questions. Those that pose the most interesting questions and push the medium will succeed because change must happen. ( The type of work I am talking about can not be made with a Photoshop filter…) Embrace the changes, as this is the most exciting time for Photography I have seen in 25 years.

Screen shot 2014-02-01 at 12.53.02 PMMatthew Brandt, Grays Lake, ID 7, 2013. © Matthew Brandt, courtesy Yossi Milo Gallery, New York.

 

JANUARY 31–MAY 4, 2014

Organized by ICP Curator Carol Squiers, What Is a Photograph? will explore the intense creative experimentation in photography that has occurred since the 1970s. Conceptual art introduced photography into contemporary art making, using the medium in ways that challenged it artistically, intellectually, and technically and broadened the notion of what a photograph could be in art. A new generation of artists began an equally rigorous but more aesthetically adventurous analysis, which probed photography itself—from the role of light, color, composition, to materiality and the subject. What Is a Photograph? brings together these artists, who reinvented photography.

Artists

Matthew Brandt
Marco Breuer
Liz Deschenes
Adam Fuss
Owen Kydd
Floris Neusüss
Marlo Pascual
Sigmar Polke
Eileen Quinlan
Jon Rafman
Gerhard Richter
Mariah Robertson
Alison Rossiter
Lucas Samaras
Travess Smalley
David Benjamin Sherry
Kate Steciw
Artie Vierkant
James Welling
Christopher Williams
Letha Wilson

via ICP

Exhibitions New York: What is a Photograph at ICP

Here is some great news. My Light Projections Series made the final 3 in the very prestigious Word Photography Awards 2014 which were announced today! (The 30 world finalists are flown to the London Awards Ceremony all expenses paid to compete for the final prizes).

Online Magazine link that features all the finalists 

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Thomas Brummett is a world photography awards 2014 Finalist

Roger Ballen is the William Faulkner of image-makers. His work is in the collections of over 20 museums yet the general public does not know much about him. He still shoots film. He mines the areas between sculpture and photography, darkness and the light.  His photos are some of the richest in all of art. He makes his work in places in South Africa where the police will not go near; Hell on earth kind of places.  His disturbing work grabs the back of your brain and won’t let go. Right now he is everywhere. Check out why he has blown the doors off the art and photo world. Maybe the most powerful work ever done by any artist. To understand the environments he frequents, and thus his pictures, you have to see the video above first…

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“Photography is like going into the mineshaft”

“What I am doing is about visual relationships not stories…”

 

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On his project: Aslyum for the Birds:

Asylum has two main meanings in the English language; the first is a place where insanity prevails and the second describes a place of refuge. In some ways those are very opposing meanings. In ‘Asylum of the Birds’, the asylum is place where animals and people live together away from the outside world. It’s a very claustrophobic, surreal and strange place yet, at the same time, what’s going on in this place is abnormal – it comes from deeper levels of the subconscious, but I don’t equate those deeper levels with insanity.

via January 2014 / Peggy Sue Amison in conversation with Roger Ballen

 

 

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Excerpt from his talk at the George Eastman House: The Shadow Chamber

 

 

The Photographs of Roger Ballen

Nice series of tree portraits by Myoung Ho Lee from 2009. Myoung builds a huge white background behind some pretty big trees.  Any photographer who has tried this knows a small puff of wind can tear your shoot to pieces.. This is not easy and the artist needs a big crew (and a crane) to pull it off… but the results are really wonderful.

 

“Myoung Ho Lee photographs solitary trees framed against white canvas backdrops in the middle of natural landscapes. To install the large canvases, which span approximately 60 by 45 feet, the artist enlists a production crew and heavy cranes. Minor components of the canvas support system, such as ropes or bars, are later removed from the photograph through minimal digital retouching, creating the illusion that the backdrop is floating behind the tree.”

 

via the Yossi Milo Gallery

 

 

The Photographs of Myoung Ho Lee