Gogglepix

Stacey Baker is a photo editor and writes for the NY Times blog The Sixth Floor. She also has a thing for legs. She has photographed over 300 of them for her project she calls Citilegs and they are endlessly astounding…..

There is also an interview with here at the Daily Mail here.

 All photos ©Stacy Baker via http://citilegs.com

Stacy Baker: Citilegs

The Arnold Newman Prize for New Directions in Photographic Portraiture has been awarded to Ilona Szwarc for her series about American girls coupled with their look alike American Girl Dolls. Her work was highlighted on this blog back in 2013. Don’t miss her series on Rodeo Girls as it’s just as good.

Ilona Szwarc wins 2014 Arnold Newman Prize

3 Days after winning the Prix Pictet for Lebensmittel, his monumental exploration of the food industry, Michael Schmidt has sadly passed away. Here was a man who spent a great deal of his time showing us how our food is now processed by giant agro-business and especially what a hollow and brutal corporate enterprise it is.

Michael Schmidt in from of his work Lebensmittel (Food Stuff) via prixpictet.com

“It was with immense sadness that we learned of the death of Michael Schmidt on Saturday 24 May.  Three days previously Michael was awarded the fifth Prix Pictet for Lebensmittel, his monumental exploration of the food industry. This was the first major international award for a photographer described by the critic Michael Fried as ‘one of the most important artists of our time’. Luc Delahaye, the fourth laureate of the Prix Pictet and member of the Jury, paid tribute to Schmidt’s genius, remarking, ‘As a photographer, I’d like to say that Schmidt is doing the kind of work that helps us to keep faith in our profession’. Luc Delahaye’s appreciation of Michael Schmidt’s work can be read below.

“With Lebensmittel, Michael Schmidt shows us how people, animals and nature are exploited in the agro-business. Exploitation is a feature of capitalism and the photographs, in their brutality, only show the brutality of a situation, the absurdity of the fact and the alienation that it produces. They can be taken just as they are or as the illustration of the many other things that are going wrong in our society. They’re a dark tale about the modern world.

What’s important is that Schmidt does not accuse, he simply reveals, and the interpretation is left to the viewer. He can do so because he has confidence in the power of his medium and confidence in the intelligence of the viewer. His language is a language of precision and his tool is the most simple one: a small, 35 mm camera, and a few rolls of films. His pictures look simple at first glance, and their anti-sentimentality, their refusal of all the tricks of the usual seduction, their concision and their clarity give them great efficiency. They show what they show but they manage to retain an opacity, a mystery, and they become a support for our imagination.

Michael Schmidt shows us that this kind of photography is today more relevant than ever. At the end of our discussion yesterday a member of the jury said that this was probably one of the last time straight photography would be awarded or appreciated. He may be right but I hope he’s wrong. As a photographer, I’d like to say that Schmidt is doing the kind of work that help us to keep faith in our profession.”

via prixpictet.com

Michael Schmidt 1945 to 2014

Going well beyond the simple document and using time as a visual key into the work, Amy Elkins has made an astounding group of images about capital punishment titled: Black is the Day, Black is the Night.

Photographer Amy Elkins has won the 2014 Aperture Portfolio Prize for two bodies of work exploring capital punishment. The Aperture Foundation announced the prize today.

For her series “Parting Words,” Elkins utilized the text of the last words of executed prisoners to reconstruct their mug shots and portraits. “These briefest of statements resonate with the micro-narratives of entire lives, tragic crimes, and opportunities and potential squandered,” writes Aperture Books Publisher Lesley A. Martin in a statement announcing Elkins’ award.

To create her second series on capital punishment, “Black is the Day, Black is the Night,” Elkins corresponded with death-row inmates and created images based on those conversations. In her series she combines these images with photographs of the physical letters, and with portraits of the inmates which she obscures digitally according to the amount of time the inmate has been incarcerated. “As viewers, we are invited to puzzle over an assortment of clues, including reenactments, exhibits submitted for our considerations, partial evidence, and statements both leading and misleading,” Martin writes.

via PDN

Amy Elkins Wins Aperture Portfolio Prize