Archives For Art

Prune Nourry’s project on recreating the famous Chinese Terracotta Warriors as Terracotta Daughters is brilliant, wonderful and the perfect political comment on the long tradition around the globe of parents preferring a male to that of a female firstborn.

Terracotta Daughters

In the continuation of her Holy Daughters project in India, Prune now reflects upon gender preference in China and infiltrates the local culture through the familiar symbol of the Terracotta Soldiers, by creating an army of 116 life-size Terracotta Daughters.

India and China alone represent 1/3 of the world population and both encounter a similar gender imbalance. This sociological phenomenon is due to the preference parents give to having a son. The number of single men has been increasing ever since the 80’s, and the misuse of ultrasounds to select the sex of the child. This leads to disastrous consequences for the situation of women in Asia (kidnappings of children and women, forced marriages, prostitution, population migrations…).

The work process for each one of Prune’s projects always begins with a research trip where she meets specialists on the societal subject of interest. It’s at the University of Xi’an that the most eminent sociologists study the question of gender preference in China, notably Professor Li Shuzhuo. Prune interviewed him in June 2012 during her first research trip for this new project. Li Shuzhuo initiated the Care for Girls government campaign aiming to ameliorate the condition of girls within Chinese families.

It’s also in Xi’an that are located the Terracotta Warriors familiar symbol Prune has chosen as inspiration to her project. The artist nods to the beauty and cultural richness of the Chinese artifacts dating back to 210 BC. The army, that was discovered in March 1974 by farmers digging a well, had for purpose of protecting China’s first emperor Qin Shi in the afterlife. The warriors are now a national pride, exhibited all around the world, and registered as a UNESCO site. Estimated at more than 8,000 and measuring between 1.80 and 2 meters, the soldiers are all unique.

Emulating the style and ancient techniques of the Terracotta Warriors, Prune collaborates with local Xi’an artisans specialized in the copies of the terracotta soldiers to create the Terracotta Daughters project.

Prune sculpts 8 life-size Terracotta Daughters modeled after 8 Chinese orphan girls. The clay used in the process is the same one that was dug up over 2,000 years ago for the original warriors. For this project, the artist learns the local copyists’ technique based off of the ancient practice.

Once the 8 original sculptures completed, the craftsmen use the molds interchangeably to create an army of 108 life-size Terracotta Daughters. The faces will then be individually personalized and signed by the craftsmen, as it was done with the ancient soldiers, to make each Terracotta Daughter unique.

The army, along with other Artworks derived from the project, were presented in an exhibition in September in Shanghai at the gallery Magda Danysz. The exhibition design is mostly be focused on the installation of the 108 life-size sculptures displayed in accordance to the archeological site from which they are inspired. The other Artworks include the 8 original Terracotta Daughters, bronzes, plaster molds, as well as a video – between Artwork and witness of the process. This exhibition will then be followed by a world tour throught 2014 with shows in Paris in April, Switzerland in June, curated by Tatyana Franck (Curator of Picasso at Work. Through the lens of David Douglas Duncan at the Museo Picasso of Malaga, the Museum of Art and Industry La Piscine à Roubaix, the Museum of Art and History of Genève 2012), New York in October commissioned by FIAC’s Crossing the Line festival and one last American destination in December.

Prune met the 8 orphan Chinese girls that inspired the Artworks of the project through the non-profit organization The Children of Madaifu, which was founded in 1999 by Marcel Roux, former Vice-President of Doctors without Borders. She photographed the girls during her visit of their respective villages in August 2012, and uses the portraits as models for the sculptures.

With the idea of continuity in mind, Prune works hand-in-hand with The Children of Madaifu to support the education of the 8 little girls for a minimum of 3 years thanks to the sale of the 8 original sculptures. In addition, each one of the little girls will be invited to the exhibition in Beijing in order to meet their terracotta double. The girls will also receive a 30 cm artist proof of Prune’s Mini Terracotta Daughter.

Thus, each collector who acquires one of the 8 unique original terracotta sculptures supports the project, as well as 3 years of the education of the little girl depicted in the Artwork.

via http://www.prunenourry.com/en/projects/terracotta-daughters

Terracotta Daughters by Prune Nourry

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Jim Campbell is a master at taking a moving image and making it a 3-Dimensional Sculpture…He relies on the power of the human mind to detect and recognize movement. He can take a string of lights and make magic with them. His work is really wonderful but you need to see the video to get it…

jim campbel

 

Jim Campbell: Exploded View

Maya Angelou, one of our greatest poets has passed.

The world is a little darker without her light today.  A light that gave us all a glimpse into what it meant to be black in America but most importantly she  always reminded us what it means to be human.

 

 

 

Maya Angelou 1928 to 2014

Shortlisted this year for the Prix Pictet award, Mishka Henner has been making a very impressive conceptual body of work over the years. Normally Henner is a bit of a Photo Dadaist prankster (see Robert Frank’s famous book he erased – it’s brilliant – and pissed everyone off). But his Feedlots images along with the Oil Fields compromise a haunting look at the effects of these two industries on the American landscape. Shot from high above the plains they appear to be abstractions but a closer look gives us the diabolical details of these industries. Particularly horrifying (and intensely beautiful) are the run off ponds that these feedlots produce.

Screen shot 2014-05-23 at 1.09.22 PM

Screen shot 2014-05-23 at 12.37.43 PMScreen shot 2014-05-23 at 12.37.55 PMAll images via the artists web site

 

 

 

Mishka Henner: Feedlots

During her long illustrious career Sarah Charlesworth has explored a haunting and beautiful body of work about the power of the image. In her legendary series Objects of Desire her minimal presentations translate to a very powerful body a work that explores how images and our subconscious attractions collide.

It’s been a long, long time since these wonderful works have been on view. Most are from private collections.  Not to be missed.

SARAH CHARLESWORTH
Objects of Desire: 1983-1988
April 25, 2014 – June 21, 2014

Maccarone Gallery, 630 Greenwich Street, NYC   http://www.maccarone.net/

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Via the artist’s website

“There’s something about the surface of a photograph, how it acts, and about the coherence of photographic illusion that both fascinates and disturbs me. To me, there’s something mysterious about what’s physically there and how it acts on our psyches…how it connects us to some other thing-to a chair, a human being, to a different reference point, a moment in time, and finally, to desire itself.”
Interview with David Deitcher, Afterimage, Summer 1984

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Via the artist’s website

 

 

SARAH CHARLESWORTH: Objects of Desire: 1983-1988