Archives For Art

Art that understands the vocabulary of its past always catches my eye. Beth Lipman who shows at the wonderful Claire Oliver Gallery in New York knows still life. Her glass sculpture speaks to that over the top still life tradition of the 17th century where bountiful excess was all the rage. (Wait!!! That seems to be our era as well!) History has a way of repeating itself but not Beth. These are really wonderful works that take this ancient tradition and spin it so that it speaks to us here and now.

Keep an eye out for her exhibition in April 2015.

 

cut_table

pitcher-with-vines-back

lipman_03_columni

All images via Claire Oliver Gallery

 

 

 

The Work of Beth Lipman

Not to late to catch this exhibition at Temple Contemporary

 

Stop Telling Women to Smile
Tatyana Fazlalizadeh

Stop Telling Women to Smile comes from Tatyana Fazlalizadeh’s interviews with women about their street harassment experiences. Fazlalizadeh draws portraits of these women, adds text from their statements and experiences, and pastes them around the city in areas where harassment occurs. They serve as a way to talk back to street harassers in the spaces where the problem exists. This is part of our series on street harassment, which grew out of our Advisory Council‘s question “What makes us feel safe?” Stop Telling Women to Smile is on view at Temple Contemporary through January 31st.

via Temple Contemporary

protest

The Protests of Tatyana Fazlalizadeh

As the year draws to a close and most are listing their top 10 lists for 2014 I will leave you with what I think is one of the most profound works I have seen this past year. Part document and part performance piece, Simon Norfolk travels to Africa for the NYTimes to photograph the slow disappearance of Lewis Glacier on Mount Kenya due to the profound effects of global warming. His solution to depicting this reality of our world (quickly reaching the point of no return) is both poetic, beautiful and unnerving as he outlines the receding glacier by long exposure while carrying a torch. His description below says it all…

…”The mountain didn’t seem overwhelming or otherworldly now, but rather broken and vulnerable. As Norfolk worked, he could hear meltwater rushing down the glacier’s flanks. Standing next to that ice field, he says, was like standing next to “the exhausted remains of something that was once glorious.” He thought of nature documentaries, of scenes in which, say, a bull elephant is tranquilized by a researcher and crumples on the ground. “You can approach it now, because it’s safe,” Norfolk says. “But you feel its desperateness, as if it is opening one eye and looking back at you, saying, ‘What have you done to me?’ ”…

 

nytimes simon norfolk

 

 

 

Simon Norfolk: The Best Photograph of 2014

The passing of one of the great photographic visual intellects who influenced a generation (and will continue to do so). As a Philadelphia local and international star Ray will be missed by so many.

He once said his goal was “a unique way of seeing,” one in which “new eyes replaced the old.” Ray did this repeatedly over the course of his long and amazing career. No one on the planet has the photographic visual acuity of Ray Metzker. He is completely unique in this respect.  This is why so many of his works are in the collection of the Museum of Modern Art (not to mention at least 20 other Museums). In the history of photography he will always remain a singular artist that truly did invent a new way of seeing.

Rest in Peace Ray. Job well done!

(Nice piece today remembering him in the NY Times here).


Screen shot 2014-10-13 at 7.11.14 PM

 

Ray

Ray K. Metzker 1931- 2014

The Work of Do Ho Suh

October 6, 2014 — Leave a comment

In Art School they told us to either make the extraordinary ordinary or make the ordinary extraordinary. I will leave you to figure out what Do Ho Suh is up to with these miraculous and luminous objects and environments.

 

Specimen Series: Stove, 348 West 22nd Street, APT. New York, NY 10011, USA, 2013 polyester fabric 73.66 x 36.22 x 34.8 inches 187.1 x 92 x 88.4 cm Edition of 3

Specimen Series: Radiator, 348 West 22nd Street, APT. New York, NY 10011, USA, 2013
polyester fabric
73.66 x 36.22 x 34.8 inches
187.1 x 92 x 88.4 cm
Edition of 3

__Suh_Specimen_Series_Stove0

Specimen Series: Stove, 348 West 22nd Street, APT. New York, NY 10011, USA, 2013 polyester fabric 73.66 x 36.22 x 34.8 inches 187.1 x 92 x 88.4 cm

 

Seoul Home/Seoul Home/Kanazawa Home, 2012 silk, metal armature 573.62 x 282.28 x 153.94 inches 1457 x 717 x 391 cm Edition of 3

Seoul Home/Seoul Home/Kanazawa Home, 2012
silk, metal armature
573.62 x 282.28 x 153.94 inches
1457 x 717 x 391 cm
Edition of 3

 

Wielandstr.  18, 12159 Berlin, 2011 polyester fabric 138.58 x 82.68 x 258.27 inches 352 x 210 x 656 cm Edition of 3

Wielandstr.
18, 12159 Berlin, 2011
polyester fabric
138.58 x 82.68 x 258.27 inches
352 x 210 x 656 cm
Edition of 3

All Photos via  http://www.lehmannmaupin.com/artists/do-ho-suh

 

 

 

The Work of Do Ho Suh