Archives For Art

Adam Magyar is a brilliant Hungarian photographer who spends his days thinking about visualizing time. He has designed his own scanning cameras as well as working with different ways to capture time and motion with high speed video. He is the Muybridge of our time.

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Detail #323 ( 1 minute 55 seconds )

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Installation view: http://www.lightwork.org/archive/adam-magyar-kontinuum/

Very interesting talk on his work via poptech.org

Nice article on him here:  https://medium.com/p/88aa8a185898

 

 

The Photographic Works of Adam Magyar

Mar 9

Exhibition: Kiki Smith at Pace Gallery NYC

Maybe one of the most beautiful and moving art exhibitions I have seen in years… Kiki Smith’s exhibition titled Wonder is indeed just that. Mixing sculpture, tapestry & paintings on handmade glass this installation is really a grand summation of her work and breathtakingly beautiful. Just go…

Kiki Smith
Wonder
Feb 28, 2014 – Mar 29, 2014 @ Pace New York

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New York – Pace Gallery is pleased to present Kiki Smith: Wonder, a major exhibition that presents the artist’s investigation of the natural and spiritual worlds through works made of aluminum, bronze, fine silver, textile, stained and hand-blown antique glass, and paint. On view at 510 West 25th Street from February 28 through March 29, 2014, Kiki Smith: Wonder is the artist’s first major New York gallery show in four years and marks the 20th anniversary of the artist’s first solo exhibition at the Pace Gallery.

In a series of works from 2011 to 2014, Smith again explores the rich terrain of expressions of human and animal forms as well as celestial bodies and nature. Decay, rebirth, and eternal cycles of the seasons, nature, and eclipses recur throughout Kiki Smith: Wonder in works that illustrate Smith’s ability to move fluidly between materials with vastly different characteristics and properties.

Among the works in the exhibition are a series of sculptures, up to 13-feet across, of hoarfrost, the cyclically recurring crystallization of water vapor. Where artists for decades have rendered depictions of hoarfrost as decorations of landscape, Smith makes the ephemeral phenomenon the subject of works themselves. Fabricated from fine silver or stainless steel, the interlocking two-dimensional panels are arranged in seemingly random formations and reflect on the passage of winter to spring.

Smith’s current glassworks are seen in several major pieces that extend up to 16 feet across: Prelude, of felled trees, Raptor I and Raptor II, of birds in flight, and Rogue Stars, a series of eight stars made of opal white and antique glass. Although Smith has worked with glass for 20 years, she has refocused on the medium though recent public commissions, including her Art Production Fund installation of 2012, Kiki Smith’s Chorus, and the 16-foot East Window for the Museum at Eldridge Street / Eldridge Street Synagogue, both in New York and from 2012

via Pace Gallery

 

Exhibition: Kiki Smith at Pace Gallery NYC

Hasan Elahi is a very well known artist who was mistakenly labeled a terrorist (probably because he had brown skin and the name Hasan). He turned the tables on the FBI and the nightmare they put him through into art. He also reminds us that we are accepting the loss of our privacy in ever increasing amounts day to day, year to year.

I highly recommend this TED Radio Hour piece on privacy.

About Hasan Elahi

If the Feds come after you, you have options: panic, resist or — if you’re interdisciplinary American artist Hasan Elahi — flood them with information. In 2002, Elahi was detained because he was suspected of hoarding explosives in a Florida locker. Even though lie detector tests cleared him, Elahi was subjected to six months of questioning.

He decided to turn the tables by constantly calling and emailing the FBI to notify them of his whereabouts. But the effort grew into an including posting minute-by-minute photos and his location through. Elahi is an associate professor of art at the University of Maryland and he has exhibited at Venice Biennale, the Centre Pompidou, and the Hermitage.

via NPR and TED : The End of Privacy

James Casebere has always been on the forefront of what is called constructed photography. Meaning, in his case, the images are made from architectural models the artist makes and then photographs in his studio. Think of it as sculpture that only exists as a two-dimensional photographic image.  Casebere is obsessed with empty spaces and the uncanny power they communicate. He is the Hitchcock of uninhabited interiors. For 30 years he has produced monumental haunting imagery based on small table top forms.

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 “His work was associated with the “Pictures Generation” of  “post-modern” artists who emerged in the 1980’s, which included Cindy Sherman, Robert Longo, Laurie Simmons, Richard Prince, Matt Mullican, James Welling, Barbara Kruger, and others. For the last thirty years Casebere has consistently devised increasingly complex models and photographed them in his studio. Based solidly on an understanding of architecture as well as art historical and cinematic sources, Casebere’s abandoned spaces are hauntingly evocative.  His table-sized constructions are made of simple materials, pared down to essential forms”.

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via the artists web site

 

The Constructed Photographs of James Casebere

Photography is at its best when it becomes more than just the thing photographed. Jackie Nickerson gives us both photograph as human sculpture and a faceless portrait of the thankless tasks preformed by the farm workers of Zimbabwe; which then becomes a metaphor for the invisible workers everywhere who provide the modern world with all its material desires. See this incredible series: TERRAIN

TERRAIN

JANUARY 16 – FEBRUARY 15, 2014 @ JACK SHAINMAN GALLERY
513 WEST 20TH STREET, NEW YORK, NY 10011

 

  

 

“Jackie Nickerson began photographing Zimbabwean farm workers in 1996 as a way to change the perception that those who work in African agriculture are dis-empowered, un-modern people. The resulting series, Farm, focused on the unique and beautiful clothing the workers made for themselves, and by doing so highlighted the worker’s identity, individuality, and ultimately their modernism.

This was published by Jonathan Cape in September 2002. German edition, ‘Leben Mit Der Erde’, published by Frederking and Thaler, 2002; French edition, ‘Une Autre Afrique’, published by Flammarion 2002.

For her most recent series, TERRAIN, Nickerson turns her attention to the roles in which workers play in the production and commodification of agricultural goods. TERRAIN focuses on the synergy between cultivation, workers and the environment, employing a reduced artistic language to draw attention to important debates around crop specialization, subsistence farming and food security.

Nickerson was born in Boston, USA in 1960 and divides her time between Ireland and southern Africa. Her work is held in many important private and public collections and has been exhibited in venues which include the Santa Barbara Museum of Art; Museum of Modern Art, Salzburg; Palais des Beaux-Arts, Brussels; National Portrait Gallery, London and the Irish Museum of Modern Art, Dublin.”

She is represented by Jack Shainman Gallery in New York.

via http://www.jackienickerson.com/

Exhibition: Jackie Nickerson Photographs