All Things Art & Photography
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Long obsessed with nature Camille Seaman travels to the ends of the world to photograph the monumental and exquisitely beautiful series The Last Iceberg.
Don’t miss her tornado cloud series: The Lovely Monsters…
‘I’ve used a lot of different photographic techniques in the past thirty years. I realize there isn’t just one way to take a photograph, there are a thousand different ways—and that’s what I’ve taught the students. They should not insist on their beautiful Leica, or their Hasselblad, or whatever they use. The technique must result from the idea that you have—and you may have to develop your own technology to bring out the images. I’m not much interested in “straight” photography anymore. It has been practiced for more than 150 years, and most of it is too conventional. I’ve always wanted to go beyond the limits”.
via Thomas Ruff – Interview with Aperture – Summer 2013 – “Curiosity” – Aperture Foundation NY.
Starting off as a film maker Gregory Colbert has had many critics in his rise to fame. Having no gallery and what seems to be an unlimited budget to build a 45,000 square foot floating museum to himself (that packs up and travels around the world) he rejects any normal exhibition solution available to even the most famous (and wealthiest) of artists.
As Roberta Smith reported in the in The New York Times:
Some times it takes a temple, a big awe-inspiring chunk of architecture to give art a proper aura. Sometimes such a setting makes matters worse. A case in point is “Ashes and Snow,” Gregory Colbert’s spectacularly vacuous exhibition of 200 large photographs and a slow-moving film in the vaulting Nomadic Museum, a temporary structure made of shipping containers that covers most of Pier 54 on the Hudson River at 13th Street.
Installed in this environmentally smart, if eminently Egyptian pavilion, designed by the Japanese architect Shigeru Ban, Mr. Colbert’s efforts form an exercise in conspicuous narcissism that is off the charts, even by today’s standards.
Roberta Smith via the New York Times
Still it is his imagery that we are left with in the end and it is undeniable poetic, moving and seemingly impossible. Many images (to most of us seasoned pros) look as if they had to be digitally manipulated – but if you watch his films I think its clear they all just might be actual documentary shots. If so he has become one of the best photographers working with animals today.
“In exploring the shared language and poetic sensibilities of all animals, I am working towards rediscovering the common ground that once existed when people lived in harmony with animals. The images depict a world that is without beginning or end, here or there, past or present.”
via his web site
via the web site
Amazon is actually moving into your territory in a big way and this is a very big wake up call for small galleries. It’s all about the user experience online now, its all about eyeballs on your art, its all about distribution networks.
If Amazon is getting into the game you know they spent millions studying it and they see an opportunity here. Should you jump in with Amazon? Hell no… This is a wait an see moment as Amazon is the Wall-mart of the Internet and their site is terrible at showcasing anything. They make it easy to buy. They are very bad at creating a good way to look or find art. ( see ArtSpace and Artnet as they are the best at it and they only work with galleries – which is the way to go. SaatchiOnline has an interesting site as well.
What this means from a business perspective is galleries will need to align themselves with one of these online giants or perish. You think I am wrong? I wish… I have vast experience in this online take over game. This same thing happened in the stock photo industry a few years ago (now decimated), The same thing happened in the music industry with Itunes and now it’s happening to your industry. Why is this going to effect your bottom line? Because giant corporations don’t care about you. They just want a piece of the sale and if they don’t get a piece of your sale they could care less. It’s a numbers game to them. They will make up for it in volume.
If I owned a gallery I would sign up as a user with the big online Art Gallery sites and see which one fits and which one feels right. But the days of the single gallery online are over boys and girls. You have to be with an online group and where the eyeballs are and these big sites will be where people go whether you like it or not.
Think about it; If a small site like Artspace has 200,000 members that’s a boat load of art buying eyeballs. When Amazon gets into the game its going to change the game immediately. Lots of food for thought in this NYTimes article but the main point is when the 800-pound gorilla gets into your house you better pay attention. They make Getty look like small potatoes and Getty destroyed the mom and pop stock industry and more importantly the price of images plummeted once they got into the game.
New York Times Article Here
Survey which found Online art buying soars as almost three-quarters of collectors go online here