Archives For Art

Hasan Elahi is a very well known artist who was mistakenly labeled a terrorist (probably because he had brown skin and the name Hasan). He turned the tables on the FBI and the nightmare they put him through into art. He also reminds us that we are accepting the loss of our privacy in ever increasing amounts day to day, year to year.

I highly recommend this TED Radio Hour piece on privacy.

About Hasan Elahi

If the Feds come after you, you have options: panic, resist or — if you’re interdisciplinary American artist Hasan Elahi — flood them with information. In 2002, Elahi was detained because he was suspected of hoarding explosives in a Florida locker. Even though lie detector tests cleared him, Elahi was subjected to six months of questioning.

He decided to turn the tables by constantly calling and emailing the FBI to notify them of his whereabouts. But the effort grew into an including posting minute-by-minute photos and his location through. Elahi is an associate professor of art at the University of Maryland and he has exhibited at Venice Biennale, the Centre Pompidou, and the Hermitage.

via NPR and TED : The End of Privacy

James Casebere has always been on the forefront of what is called constructed photography. Meaning, in his case, the images are made from architectural models the artist makes and then photographs in his studio. Think of it as sculpture that only exists as a two-dimensional photographic image.  Casebere is obsessed with empty spaces and the uncanny power they communicate. He is the Hitchcock of uninhabited interiors. For 30 years he has produced monumental haunting imagery based on small table top forms.

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 “His work was associated with the “Pictures Generation” of  “post-modern” artists who emerged in the 1980’s, which included Cindy Sherman, Robert Longo, Laurie Simmons, Richard Prince, Matt Mullican, James Welling, Barbara Kruger, and others. For the last thirty years Casebere has consistently devised increasingly complex models and photographed them in his studio. Based solidly on an understanding of architecture as well as art historical and cinematic sources, Casebere’s abandoned spaces are hauntingly evocative.  His table-sized constructions are made of simple materials, pared down to essential forms”.

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via the artists web site

 

The Constructed Photographs of James Casebere

Photography is at its best when it becomes more than just the thing photographed. Jackie Nickerson gives us both photograph as human sculpture and a faceless portrait of the thankless tasks preformed by the farm workers of Zimbabwe; which then becomes a metaphor for the invisible workers everywhere who provide the modern world with all its material desires. See this incredible series: TERRAIN

TERRAIN

JANUARY 16 – FEBRUARY 15, 2014 @ JACK SHAINMAN GALLERY
513 WEST 20TH STREET, NEW YORK, NY 10011

 

  

 

“Jackie Nickerson began photographing Zimbabwean farm workers in 1996 as a way to change the perception that those who work in African agriculture are dis-empowered, un-modern people. The resulting series, Farm, focused on the unique and beautiful clothing the workers made for themselves, and by doing so highlighted the worker’s identity, individuality, and ultimately their modernism.

This was published by Jonathan Cape in September 2002. German edition, ‘Leben Mit Der Erde’, published by Frederking and Thaler, 2002; French edition, ‘Une Autre Afrique’, published by Flammarion 2002.

For her most recent series, TERRAIN, Nickerson turns her attention to the roles in which workers play in the production and commodification of agricultural goods. TERRAIN focuses on the synergy between cultivation, workers and the environment, employing a reduced artistic language to draw attention to important debates around crop specialization, subsistence farming and food security.

Nickerson was born in Boston, USA in 1960 and divides her time between Ireland and southern Africa. Her work is held in many important private and public collections and has been exhibited in venues which include the Santa Barbara Museum of Art; Museum of Modern Art, Salzburg; Palais des Beaux-Arts, Brussels; National Portrait Gallery, London and the Irish Museum of Modern Art, Dublin.”

She is represented by Jack Shainman Gallery in New York.

via http://www.jackienickerson.com/

Exhibition: Jackie Nickerson Photographs

 

In Art School the saying goes; “If you can’t make it good make it big. If you can’t make it big paint it red”.  But with this stellar cast of painters, big paintings are big for a reason. This is a must see all-star show. Every painting is a home run.

January 28 – March 2, 2014
Wilkinson Gallery
New York Academy of Art
111 Franklin Street New York, NY 10013

 

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Exhibition: New York Academy of Art: The Big Picture

Roger Ballen is the William Faulkner of image-makers. His work is in the collections of over 20 museums yet the general public does not know much about him. He still shoots film. He mines the areas between sculpture and photography, darkness and the light.  His photos are some of the richest in all of art. He makes his work in places in South Africa where the police will not go near; Hell on earth kind of places.  His disturbing work grabs the back of your brain and won’t let go. Right now he is everywhere. Check out why he has blown the doors off the art and photo world. Maybe the most powerful work ever done by any artist. To understand the environments he frequents, and thus his pictures, you have to see the video above first…

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“Photography is like going into the mineshaft”

“What I am doing is about visual relationships not stories…”

 

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On his project: Aslyum for the Birds:

Asylum has two main meanings in the English language; the first is a place where insanity prevails and the second describes a place of refuge. In some ways those are very opposing meanings. In ‘Asylum of the Birds’, the asylum is place where animals and people live together away from the outside world. It’s a very claustrophobic, surreal and strange place yet, at the same time, what’s going on in this place is abnormal – it comes from deeper levels of the subconscious, but I don’t equate those deeper levels with insanity.

via January 2014 / Peggy Sue Amison in conversation with Roger Ballen

 

 

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Excerpt from his talk at the George Eastman House: The Shadow Chamber

 

 

The Photographs of Roger Ballen