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ICP has teemed up with Phonar Nation and the MacArthur Foundation’s Cities of Learning to provide 5 free courses in photography for anyone in the world.  The crowd-sourced classes thus far are:

  1. Looking for Light
  2. Seeing the Unseen
  3. Telling someone’s story
  4. Making Sense
  5. Moving Beyond Pictures

Screen shot 2014-06-19

 

Youth all over the world are being invited to help build Phonar Nation, the biggest photography storytelling class in history as a part of this year’s nationwide Cities of Learning initiative, supported by the MacArthur Foundation and powered by the Digital Youth Network and Badge Alliance.

Designed by award-winning photographer, National Teaching Fellow, and open education pioneer Jonathan Worth, Phonar Nation builds on his #Phonar (Photography and Narrative) class that was described in the European Parliament as “breaking new ground for photographers” and by Wired as “shaking up photo education”.

The Phonar Nation class is built on a mobile device, to be taught from a mobile device to a mobile user. Students learn to speak clearly with images and engage a connected audience. They learn to leverage and to be empowered by the network rather than feeling anonymised by it. Phonar Nation is more than photography; it is visual literacy and digital fluency for a connected 21st century.

Phonar Nation is presented in association with the University of California Humanities Research Institute, Digital Media and Learning Research Hub, Connected Learning Alliance, and Digital Youth Network. Phonar Nation’s partners also include World Press Photo in Amsterdam, OgilvyOne in Hong Kong and the International Center of Photography in New York, where the class will launch with the Phonar Nation Book-in-a-Box. The box features a uniquely curated selection of photography books and handmade journals, which, like a message in a bottle, will travel amongst selected Cities of Learning libraries, schools and community centers reifying the online Phonar Nation network as it goes.

Running concurrently with the Phonar Nation class, is the “Front Page” competition for the best youth stories.

Phonar Nation Photography classes are open to all for free.

via http://phonarnation.org/

 

ICP and the Worlds Biggest Free Photography Class

Really nice live (in the studio) session by Justin Vernon and Sean Carey….

4AD and Jagjaguwar have collaborated on a live session that captures a truly unique Bon Iver performance, featuring Justin Vernon and Sean Carey. On recent tours fans will have become accustomed to seeing Vernon flanked by an eleven-piece band, with the swell in numbers lending a grandiose element to even his most delicate songs. Sidestepping expectations, the idea Vernon presented for this session was to provide a wildly different experience.

Recorded in AIR Studio’s Lyndurst Hall – a building that was originally a church and missionary school designed in 1880 by the great Victorian architect Alfred Waterhouse (designer of the Natural History Museum) – Vernon was joined only by Carey, with the pair positioning themselves opposite one another at two grand pianos.

via Jagjaguwar

 

 

 

 

Music Break: Justin Vernon and Sean Carey

The Arnold Newman Prize for New Directions in Photographic Portraiture has been awarded to Ilona Szwarc for her series about American girls coupled with their look alike American Girl Dolls. Her work was highlighted on this blog back in 2013. Don’t miss her series on Rodeo Girls as it’s just as good.

Screen shot 2014-06-09 at 3.44.15 PM

Ilona Szwarc (American and Polish) is an artist based in New York City. 
Szwarc received a Bachelor of Fine Arts from School of Visual Arts in New York City. She has had solo exhibitions at Foley Gallery in New York City, Claude Samuel gallery in Paris and Maison de la Photographie in Lille, France. Her projects “American Girls” and “Rodeo Girls” have received worldwide recognition, having been highlighted in The New York Times, The Telegraph, MSNBC, Today.com and The Huffington Post among others.

Via her web site

 

 

 

Ilona Szwarc wins 2014 Arnold Newman Prize

Back in 1999 Hiroshi Sugimoto made a very large set of images depicting The Last Supper, which were photographs of wax models from a wax museum based on Di Vinci’s famous painting. (He did an entire series of portraits of wax models called Portraits and this work is from that series). This particular piece was in storage in a basement in New York when hurricane Sandy hit. The piece was severely damaged by the waters in the flooded basement. Instead of destroying the work Sugimoto has deemed it an act of God and is selling as such with a new title: The Last Supper: Acts of God now showing at the Fraenkel Gallery.

When god is your partner in making an artwork how can you go wrong in turning what is actually a destroyed work into an even more collectable piece? I will let you be the judge….

“I chose to interpret this as the invisible hand of God coming down to bring my monumental, but unfinished Last Supper to completion. Leonardo completed his Last Supper over five hundred years ago, and it has deteriorated beautifully. I can only be grateful to the storm for putting my work through a half-millennium’s worth of stresses in so short a time”. 

Hiroshi Sugimoto 

 

Hiroshi Sugimoto, The Last Supper: Acts of God, 1999/2012. © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco

Hiroshi Sugimoto, The Last Supper: Acts of God, 1999/2012. © Hiroshi Sugimoto, courtesy Fraenkel Gallery, San Francisco

The Last Supper: Acts of God (detail), 1999/2012 © Hiroshi Sugimoto, courtesy Fraenkel Gallery,

The Last Supper: Acts of God (detail), 1999/2012 © Hiroshi Sugimoto, courtesy Fraenkel Gallery,

 

Hiroshi Sugimoto and The Last Supper.  All photos and quotes via the Fraenkel Gallery.

Prune Nourry’s project on recreating the famous Chinese Terracotta Warriors as Terracotta Daughters is brilliant, wonderful and the perfect political comment on the long tradition around the globe of parents preferring a male to that of a female firstborn.

Terracotta Daughters

In the continuation of her Holy Daughters project in India, Prune now reflects upon gender preference in China and infiltrates the local culture through the familiar symbol of the Terracotta Soldiers, by creating an army of 116 life-size Terracotta Daughters.

India and China alone represent 1/3 of the world population and both encounter a similar gender imbalance. This sociological phenomenon is due to the preference parents give to having a son. The number of single men has been increasing ever since the 80’s, and the misuse of ultrasounds to select the sex of the child. This leads to disastrous consequences for the situation of women in Asia (kidnappings of children and women, forced marriages, prostitution, population migrations…).

The work process for each one of Prune’s projects always begins with a research trip where she meets specialists on the societal subject of interest. It’s at the University of Xi’an that the most eminent sociologists study the question of gender preference in China, notably Professor Li Shuzhuo. Prune interviewed him in June 2012 during her first research trip for this new project. Li Shuzhuo initiated the Care for Girls government campaign aiming to ameliorate the condition of girls within Chinese families.

It’s also in Xi’an that are located the Terracotta Warriors familiar symbol Prune has chosen as inspiration to her project. The artist nods to the beauty and cultural richness of the Chinese artifacts dating back to 210 BC. The army, that was discovered in March 1974 by farmers digging a well, had for purpose of protecting China’s first emperor Qin Shi in the afterlife. The warriors are now a national pride, exhibited all around the world, and registered as a UNESCO site. Estimated at more than 8,000 and measuring between 1.80 and 2 meters, the soldiers are all unique.

Emulating the style and ancient techniques of the Terracotta Warriors, Prune collaborates with local Xi’an artisans specialized in the copies of the terracotta soldiers to create the Terracotta Daughters project.

Prune sculpts 8 life-size Terracotta Daughters modeled after 8 Chinese orphan girls. The clay used in the process is the same one that was dug up over 2,000 years ago for the original warriors. For this project, the artist learns the local copyists’ technique based off of the ancient practice.

Once the 8 original sculptures completed, the craftsmen use the molds interchangeably to create an army of 108 life-size Terracotta Daughters. The faces will then be individually personalized and signed by the craftsmen, as it was done with the ancient soldiers, to make each Terracotta Daughter unique.

The army, along with other Artworks derived from the project, were presented in an exhibition in September in Shanghai at the gallery Magda Danysz. The exhibition design is mostly be focused on the installation of the 108 life-size sculptures displayed in accordance to the archeological site from which they are inspired. The other Artworks include the 8 original Terracotta Daughters, bronzes, plaster molds, as well as a video – between Artwork and witness of the process. This exhibition will then be followed by a world tour throught 2014 with shows in Paris in April, Switzerland in June, curated by Tatyana Franck (Curator of Picasso at Work. Through the lens of David Douglas Duncan at the Museo Picasso of Malaga, the Museum of Art and Industry La Piscine à Roubaix, the Museum of Art and History of Genève 2012), New York in October commissioned by FIAC’s Crossing the Line festival and one last American destination in December.

Prune met the 8 orphan Chinese girls that inspired the Artworks of the project through the non-profit organization The Children of Madaifu, which was founded in 1999 by Marcel Roux, former Vice-President of Doctors without Borders. She photographed the girls during her visit of their respective villages in August 2012, and uses the portraits as models for the sculptures.

With the idea of continuity in mind, Prune works hand-in-hand with The Children of Madaifu to support the education of the 8 little girls for a minimum of 3 years thanks to the sale of the 8 original sculptures. In addition, each one of the little girls will be invited to the exhibition in Beijing in order to meet their terracotta double. The girls will also receive a 30 cm artist proof of Prune’s Mini Terracotta Daughter.

Thus, each collector who acquires one of the 8 unique original terracotta sculptures supports the project, as well as 3 years of the education of the little girl depicted in the Artwork.

via http://www.prunenourry.com/en/projects/terracotta-daughters

Terracotta Daughters by Prune Nourry

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